Whilst some scholars have created tries to present that the digressions, or some of them at least, have a thing in them which is inappropriate to the primary narrative and are detrimental to the poetic price of Beowulf, this essay will argue that the digressions and episodes provide a mindful balance and unity and, in point, contribute to the inventive value of the poem. Here, the Geats present a striking contrast to the Danes. Bonjour concludes that Beowulf, once in the position of a king actually transcends the picure of an ideal king by sacrificing his life for his people, the significance of which is stressed by the very contrast with Hrothgar's own attitude towards Grendel. Beowulf is comparable to Sigemund. Beowulf, they say, is similar to Sigemund. In his old age a wyrm dragon starts to terrorize Geatland, so Beowulf goes off to killit. As Bonjour observes, the poet adeptly utilizes digressions to insert to the coloring of the poem, to serve as a foil to a offered scenario, to lead to the historical curiosity and significance, to supply symbolic benefit which contributes to the influence and comprehending of the poem, and to heighten inventive outcome.
For instance, the narrator of the poem describes Hrothgar at one point as a pagan who does not know of the true God, and yet all the characters, including Hrothgar, constantly thank God for their good fortune. The Finn episode is a report of a blood feud between the Danes and the Frisians. These monks not only wrote down the original poems, but some of them added a little twist… The Anglo-Saxon epic poem, Beowulf, describes a man with formidable strength and exceptional quality as a leader. In this essay we hope to help answer that question. The Beowulf poet, rightly, does not perform this separation. Now, it is almost as if Beowulf has been raised to the rank of God's own champion.
The peace, on the other hand, is shorter-lived and the Finn episode points directly to the concept of the precarious truce concerning the two peoples. As Bonjour observes, the poet adeptly uses digressions to add to the coloring of the poem, to serve as a foil to a given situation, to contribute to the historical interest and significance, to provide symbolic value which contributes to the effect and understanding of the poem, and to heighten artistic effect. Bonjour suspects that this whole digression is certainly meant to praise the hero. I will meet him With my hands empty-unless his heart Fails him, seeing a soldier waiting Weaponless, unafraid. Beating at my sword blade, would be helpless. However, the peace is short-lived and the Finn episode points directly to the issue of the precarious truce between the two peoples.
Modthryth, nonetheless, is a lot more elaborate than that. The final category in which to make note is the digressions of Biblical character. This results in some strange inconsistencies. Anderson sums up the significance of the digressions when he writes: The poet drew his options from the scenic repertory of the more mature heroic lay, but he strung the regular scenes with each other with a moralizing commentary in the kind of digressions, flashbacks, boasts, reflective speeches, and a persistent emphasis on sudden reversals-all tending to underscore the peaks and valleys of human experience. He, too, will accept his fate. The first digression in this category concerns the fate of Heorot. He is from Scandinavia and he helps King Hrothgar of the Danes save his country from destruction by Grendel.
Many the men whose cities he saw, whose ways he learned. These parallels show how important it was to be a divine ruler. Another similarity between the two is the treasure they both receive after their batltles. The allusion is to the feud between Ingeld and Hrothgar. Number of other functions are far more attribute of Beowulf than the use of a lot of digressions and distinctive episodes. Beowulf, they say, is comparable to Sigemund. He slays it, despite being mortally wounded, and then dies.
Every culture since the birth of man has background stories of creation and the battles that are waged between the two forces of light and dark. This illustrates another example in which the poet tells his story with a kind of structural irony that thrives on tragic events. Beowulf had a difficult time transitioning from a dedicated warrior to a king; h. It is a story of 3 agons or struggles. The inglorious youth heightens the effect of his later glorious deeds and makes them all the more remarkable by way of contrast. Bonjour gives his own classification of the digressions and episodes of the Scyld episode, probably because it is the longest digression from the main narrative in the poem and possibly because it raises so many questions. Beowulf's rejection of the crown illustrates his moral greatness.
The first struggle is with the monster Grendel. Bonjour points out that another artistic purpose in this episode is the glorification of the Scyldings. The poet tells us how Beowulf escapes from Friesland, where Hygelac is slain, by swimming back to his country with thirty to panoplies of armour on his arm. Bonjour notes that the appearance of Wyrd is very important here, as it not only shows us the excursus, but also the whole end of the poem. What is the role of women in the heroic culture of Beowulf? The prophetic telling of the tale of Ingeld by Beowulf suggests that the martial alliance between the Danish princess, Freawaru, and Ingeld, prince of the Heathobards will yield similar results.
The final is with the dragon. Revenge was an honorable act among the Germanic tribes. The digressions are not accidental, but intentional to serve as indirect commentary for the main plot. The Scyld episode allows the poet the use of two of his favorite devices: parallelism and contrast. Sigemund was a great slayer of monsters and the greatest adventurer since the unfortunate Heremod. The last survivor's speech is an elegiac cut of the same material: Bareful death has sent away many races of men.
The Scyld episode makes it possible for the poet the use of two of his most loved units: parallelism and contrast. A 2nd touch of parallelism in between the two kings can be identified in their inglorious youth. He first hews down the monster Grendel, who has been slaughtering folk in huge numbers, at Heorot, the hall of the Danish ring-giver, and then kills the mons … ter's mother. Ogilvy and Baker recommend that unlike Wealtheow, who is obsessed with securing the succession of her sons to the throne, Hygd asks Beowulf to acquire the throne in favor of her have son for the fantastic of the individuals. Would it not require a heroic individual to achieve for the common good? The poem has circular structure as it begins and ends with the story of an aged king with great accomplishments, and it sets the tone for what type of leader Beowulf must be in order to defeat Grendel, the monster attacking the mead-hall. Sigemund was a great destroyer of monsters and the greatest adventurer since the unfortunate Heremod.