Major record labels of the 1960s. Anorak Thing: 10 Cool 60's U.K. Record Labels 2019-02-28

Major record labels of the 1960s Rating: 6,1/10 1268 reviews

Independent record labels and producers

major record labels of the 1960s

Chudd ended up purchasing Aladdin and Minit Records in 1960. The difference in price can range from modest to quite significant, depending on the artist and title. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. Motown, of course, stands for more than just the historic music. Thomas and The Sakotas, and others to be released on Imperial.

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History of Rock and Roll Flashcards

major record labels of the 1960s

He always learned from all his experiences and applied them to his business. Other countries, however, have been known to create dramatically different versions of records from the U. Most of these titles are also available on regular and more common black vinyl. They held their patents under the name Volta Laboratory Association. A new era had evolved with our music. Around 1960, Loring Eutemey, an African-American designer who was working for Push Pin Studios, began to do free-lance covers for the label, several of which achieved a satisfying relation between the images and the typography, particularly, Free Jazz: A Collective Improvisation by the Ornette Coleman Double Quartet, which consisted predominantly of type, complemented by a small abstract painting Fig.

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Music 107 Final Flashcards

major record labels of the 1960s

Edison initially wanted to create an answering machine to record calls following the introduction of the telephone by Alexander Graham Bell in 1876. Motown became the heartbeat of American pop music. The Big Three now controlled the vast majority of the music market. About 4 million babies were born each year during. In the 1950s through the mid-1970s, record companies kept close tabs on whether an album was selling well or poorly. By the late 1960s, album cover designs had become important sales tools and were instrumental in helping customers select albums from record store bins.

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Record labels that rocked our world

major record labels of the 1960s

Test pressings are a bit more common than acetates, and are made to test stampers prior to mass produced production runs. . A good example of this would be the recordings of Elvis Presley. The competition was fierce——and so was the love. A man of vision, drive, talent and determination, Berry Gordy was also a producer, innovative entrepreneur, and teacher.

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What's That Sound? • W. W. Norton and Company, Inc.

major record labels of the 1960s

Although Edison founded the huge conglomerate General Electric in 1892, he would prove to be unsuccessful at marketing music in the next century, as Edison Records collapsed in the Great Depression while Columbia and Victor survived as the biggest record labels. During their first televised debate, Kennedy looked rested, tanned, and wore makeup. Consumer watchdog groups released a report encouraging the government to halt the deal on June 14, stating that the buyout would cause major issues within the industry. As an art director, Jones adopted an eclectic approach, mixing illustrative covers by Flora and Warhol with compelling photographs of jazz musicians or their instruments. In 1953 the label opened in Gary, Indiana, and it soon became a powerhouse of major R+B. Perhaps the most successful of all artist-label owners was , who provided the launchpad for the multiplatinum debut album of teenager Alanis Morissette on the aptly named Maverick label.

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History of Record Labels and the Music Industry by Alex Cosper

major record labels of the 1960s

When Berry Gordy left the military in 1953 he launched a jazz record store called the 3-D Record Mart. Rock stars that launched their own record labels during this time included The Beatles with Apple Records, Elton John with Rocket, and The Rolling Stones with Rolling Stones Records. In the 1960s housing and computer industry overpowered automobiles, chemicals, and electrically powered consumer durables, which were the leading sectors in the 1950s. Roxio had intentions to relaunch Napster as a fee-based service. S citizen, was made easier. Promotional copies of records are usually pressed before stock copies to ensure that they reach radio stations prior to the commercial release of the record.

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Essay on The Independent Record Labels of the 1950’s and 1960’s

major record labels of the 1960s

Many covers were poorly stored, leading to ring wear or splits in the covers. Here is a a brief background of the 1950' s and 60' s starting with the murder of Emmett Till. Edison was clearly the first mass marketer of both phonographs and cylinders that stored audio. The independent studio Stax was formed by Jim Stewart, along with the investment of his sister Estelle Axton. Led Zeppelin below first appeared on the Atlantic roster in 1968, along with Cream, the Bee Gees and, in 1971, the Rolling Stones. The first major Black owned record company in America, was founded in Los Angeles, in1950 by John Dolphin. They were all as distinctive as the artists they produced.

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Anorak Thing: 10 Cool 60's U.K. Record Labels

major record labels of the 1960s

In 1950, Stan Kenton Encores was released with a cover that came right out of an Yves Tanguy Surrealist painting and three years later the company brought out Stan Kenton: New Concepts of Artistry in Rhythm. If a record routinely sells for a lot of money, there is a good chance that the title in question has been counterfeited. It was not uncommon, however, for singles to be issued in special printed sleeves bearing the title of the song, the name of the artist and perhaps a graphic or photograph. The same can be said for artists, who were often exploited, paid less than they deserved and far less in comparison with the cut that producers and label representatives were taking from the profit that they accrued from these artists. The term indie label is sometimes used to refer to only those independent labels that adhere to independent criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure.

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The Independent Record Labels of the 1950’s and 1960’s

major record labels of the 1960s

Edison eventually realized his tin foil cylinders were inferior, so by 1887 he shifted to wax cylinders. In 2006, Virgin merged with Capitol Records to create Capitol Music Group. It has set down on vinyl and beyond most of jazz's inspirational characters, from Thelonious Monk and Miles Davis below to John Coltrane and Herbie Hancock. For artists without a recording history, the label is often involved in selecting producers, , additional musicians, and songs to be recorded, and may supervise the output of recording sessions. Occasionally, record companies release an album or single, only to change their mind and withdraw it from general release. Radio listeners believed Nixon won the debate.

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Vinyl Records Value

major record labels of the 1960s

You would think that learning that would be a no brainer, but back then, it was difficult because the whites were being told by their parents and grandparents, that being Black. Whereas 'net' labels were started as a free site, digital labels are more competition for the major record labels. Sometimes, test pressings may contain different versions of one or more songs from the commercially released albums. The phenomenal success of Motown Records is a tribute to all that he embodies and all the talent that he brought out in others. But the label also offers the artist a 30 percent cut of the label's album profits—if any—which represents an improvement from the typical industry royalty of 15 percent. Records pressed in foreign countries are often of interest to record collectors.

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