Ode on a Grecian Urn - Further Notes Summary In the first stanza, the speaker stands before an ancient Grecian urn and addresses it. For example, in the line A flowery tale more sweetly than our rhyme: Keats, line 4 , Keats is talking about the tale told by the urn. He looks at a picture that seems to depict a group of men pursuing a group of women, and wonders. He wonders about the figures on the side of the urn, and asks what legend they depict, and where they are from. Keats surrounds the urn with all these pressing questions and tries to assure us at the end with its ventriloquent wisdom. He tells the youth that, though he can never kiss his lover because he is frozen in time, he should not grieve, because her beauty will never fade.
Is art--can art ever be--a substitute for real life? This escape and remaining in imagination. And so Keats can take pleasure in the thought that the music will play on forever, and although the lover can never receive the desired kiss, the maiden can never grow older nor lose any of her beauty. It links the urn to nature's transcendence. What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? In the second stanza, the speaker looks at another picture on the urn, this time of a young man playing a pipe, lying with his love beneath a tree. Second, if we view it as Keats' message, then he is trying to tell the urn that for the latter, it has only to know of its beauty and consider it to be the ultimate truth, but in real life, that is not possible because there is a whole lot more to mankind that just art and beauty.
The overall strategy is —the address of an absent figure, an abstraction, or an object. In poetry, the pastoral is a type of poetry that glorifies the natural world. They are usually very thoughtful works that try to praise and elevate their subject. Using personification to address the urn communicates the importance of the archaic object to the speaker and to the poem itself. In the final stanza, the speaker presents the conclusions drawn from his three attempts to engage with the urn. Art gives a kind of permanence to reality.
Is it intact throughout its history? Ode on a Grecian Urn. Is he describing a temporary or a permanent condition? The title itself is a pun because an Ode is a Greek style of poetry that is used here to praise a Grecian Urn. The northern Europeans plundered the Greeks' ancient artifacts, and some might joke that now the Greeks are taking revenge by blowing up the European economy… Urns are known not only for their sleek, beautiful shape but also for the quality of the pictures that were often painted on their sides. Keats uses a Grecian urn as a symbol of life. He tells the youth that, though he can never kiss his lover because he is frozen in time, he should not grieve, because her beauty will never fade.
No matter how you read the last two lines, do they really mean anything? He wonders to which altar the priest is leading the sacrificial cow to, the one that was adorned with colorful garlands. The form is incredibly dense and complicated, and the language practically chokes you with complex metaphors, bizarre repetitions, and tortured emotion. However, this is not the case in John Keatss poem, Ode on a Grecian Urn. Keats also tests the difference between words and images, an that figures the verbal as male and the pictorial as female. Yet he should not grieve, because she will never go away; she will always be young and beautiful, and they will always remain in their blissful bubble of love.
In stanza five, the speaker 'takes a step backwards' and considers the urn in its. He delights in this imagery of antiquity, yet his ambivalence never leaves this Dionysian procession of either celebration or struggle or both. This issue is further discussed at the bottom of this page. John Keats possesses unparallel poetic craftsmanship. It has survived intact from antiquity. The most likely reason for the morbid undertones in this poem was the fact that Keats was dying at the time he wrote it.
Keats switches from emotive engagement and painterly visions to a more objective diction, not without contradiction. Is the bride also chased in mad pursuit and struggling to escape? In the final stanza, the speaker presents the conclusions drawn from his three attempts to engage with the urn. Returning to our comparison, this was like the invention of rhythm and blues. Are both lines spoken by the same person, or does some of the quotation express the view of one speaker and the rest of the couplet express the comment upon that view by another speaker? Vendler points out that the urn speaks to us with a maternal tone at the end again, we hear the lost mother appearing to comfort the child through ages of silence. And, little town, thy streets for evermore Will silent be; and not a soul, to tell Why thou art desolate, can e'er return. Keats was captivated by the music from the bird, not the physical flight of it.
All you know on earth and all you need to know in regard to beautiful works of art, whether urns or poems about urns, is that they give an inkling of the unchanging happiness to be realized in the hereafter. Is art - can art ever be - a substitute for real life? Tra le sue opere principali - oltre alla Ode on a Grecian urn - si possono ricordare i poemi Hyperion Iperione , The Eve of St. Embedded in the urn is an image of revelry and the sexual pursuit, a piper and a lover in 2004 Words 9 Pages Keats covered many topics in the poems he wrote during his short life but the theme of fantasy being a better alternative to reality was prominent throughout many of his works. Connecting in this sense means to either fully understand the object or become the object itself. However, when one looks deeper into the poem to find its underlying meanings, one discovers that the tone of the poem is very morbid. Yet all this negation creates unease; we may long for those things, but they would be terribly uncomfortable and awfully inhuman. To be human and mortal and not want to be—and to want to make art.