Basically everything in the movie, the places, the people, the costumes and the casual events that cause some other situations, they are all realistic and therefore so intense,dramatic and effective on the audience since they are imaginable and people can find similarities with their lives in the movie and emphatize with the characters. Lola is portrayed throughout the film as a memorable character, this is though the use of colour on Lola. Distinctively visual texts aim to manipulate the way we explore and interpret the images we see. The use of split screen image is constantly reoccurring, showing the audience the two characters and that time is shown as a character with the tension building up to the climax of the film. Roulette is the dominant visual metaphor in the film. Other than Lola, Mannie also shows a stand out colour towards him, this colour is yellow. This is relevant through the film Run Lola Run! On the other hand, Tykwer presented his narratives by adopting highly calculated visual images and using dynamic technologies.
The reoccurring motif of clocks generates excitement and drama. After the first and second sequence, there is a red hued, narrative bridge… 924 Words 4 Pages meet in our lives. In addition with the fast editing, the sounds and music add action to the film. In the beginning, just after Lola hangs up the phone she is confused about where to find help. Everyting was so realistic that it was like real life rather than fiction, as it was supposed to be, and of course not a second of the movie was boring. The yellow colour represents dangerous and apprehension to the story. These techniques aim to show the important themes in both texts such as time, hope and love.
This little girl now sees her future differently. Another scenario depicting how Lola runs in rounds manifests when she walks past a child and a dog hanging out in the landing in the first scene and when she passes by the dog and the child in the second scene. It is then played out one last time. It is then played out one last time. This works to emphasise how luck gave her another chance to live and it was really because of chance that she is able to continue with her journey. For that reason, the director use specific color for each sequence to effectively differentiate their timeline. Additionaly mis-en-scene is the composition of the movie.
As they show, a scary looking pendulum swings across the screen until it goes up and we see the rest of the scary looking clock and go through the mouth of a monster on the top. The film starts out with a quote from T. Lighting is not perfect and it is said that entire scenes were filmed depending only on natural lighting. Up to this point, Lola comes of age. Not only the script is very well written but the techniques used induce the audience to follow Lola in her journey. Tom Tyker uses the theme of destiny to show how interaction between individuals can create a distinctive experience.
The black and white aspect indicates the action is in the past while the faster time progression contributes to the important concept of the time anomaly in the movie while also portraying the racing thoughts and panic both characters have. This approach considers that cultural values direct our lives, giving meaning to what we do, and give. Just after the introduction of the film, the basic narrative of the story is constructed by a telephone conversation between the two main characters of the film Manni Moritz Bleibtreu and to Lola Franka Potente. The whole film approaches to the life as if it was a game. The mise-en-scene has a lot of external scenes from the streets of Berlin.
I loved the way director showed the photographs because it made me excited about them. It was used to imply a lengthy and tough path that Lola will have to go through. Director clearly showed what will happen to them in the three occassions. French Film: Texts and Contexts. Let's analyze more closely a scene from near the start of the film to greater understand the methods and concepts of this film. We therefore take as a point of departure the use of the camera as a keno-eye, more perfect than the human eye, for the exploration of the chaos of visual phenomena that fills space. However, the destiny of every person she encounters is remarkably different because of the time difference in which she bases her actions.
According to a review, use of jump cuts and hand held cameras actually signified and identified the characteristics of the protagonists. The way the distinctively visual is shown throughout these texts is through the use of motifs, different angle shots, colours, lighting and reading paths. Alice in wonderland, illustrated by Lewis Carroll, shows signs of distinctly visual though its portrayal that we are most moved to contemplate the significance of our lives in different dimensions. . It then cuts to some stairs and Lola runs into the shot and up the stairs.
The notion of chance and luck is found through the scene in which Lola who has never gambled in her life spends the last of her money on a game of roulette, by unbelievable luck she was able to win the game twice, providing her with more money than was needed. Obviously the costume in the red scenes is scarce. Until this day, film critics mention both when describing famous postmodern feature films. Postmodern followers have been spreading through art its philosophical beliefs. Conclusively this flashback scene serves an incredibly important role in its ability to set the fast pace of the film while introducing the general aspects of the film.