Connie finds desire in… 929 Words 4 Pages imagine a better world and becoming better people. Key Facts about Where Are You Going, Where Have You Been? Oates' narrator sets up the complication at the drive-in. This is an argument whose justification is abundantly clear in the inner conflict of Connie, the protagonist of the book. In this story, Connie takes the role of Persephone and Arnold of Hades. She often fights with them and ignores her family commitments. After casual chit-chat about the car, he introduces himself as Arnold Friend.
Connie is vain and self-centered like many other teenagers of her age, constantly looking into the mirror, has a fake, nervous giggle, and a flirty voice. Where Are You Going, Where Have You Been? The author leaves Connie's fate unmentioned. Perhaps the sort of mental rape Connie experiences is the result of Arnold Friend fulfilling his promise. . Connie slit her eyes at him and turned away, but she couldn't help glancing back and there he was, still watching her. From the driveway Ellie Oscar offers to pull out the phone line, angering his partner. Taking the wheel or driving a car indicates control, empowerment, freedom, and mobility, which women don't get to enjoy in this story.
Despite what she leads on, Connie is actually sexually innocent. Beliefs allow us to have hope. She realizes she will never see her family again. Oates based the story and the character of Arnold Friend on real life killer Charles Schmid, who murdered at least three girls in Tucson, Arizona between 1964 and 1966. The sexual context of the story suggests the negative criticism of Oates towards the sexual revolution.
He lies and tells her he's around her age. Frequent topics in her work include rural poverty, sexual abuse, racial and class tensions, and female childhood and adolescence. However, at the end of the story, Connie is made to see the stark truth about the perception she had about herself and adulthood. Women are viewed as objects of beauty for male consumption. Ignoring him, Connie and Ernie spend hours together visiting different restaurants, and then at an alley.
She recognizes the driver to be the same unpleasant guy. In the end Connie watches herself push open the screen door to onto a strange, sun-drenched land she does not recognize. We will write a custom essay sample on Where Are You Going, Where Have You Been? Their shared appreciation of the same radio station leads Connie to initially trust Arnold Friend, allowing him to lure her in. Her mother, who noticed everything and knew everything and who hadn't much reason any longer to look at her own face, always scolded Connie about it. Indeed, Connie is curious about sex and initially flattered by the attention of what she believes to be an older boy. From the golden color, to the painted phrases and number, all act like a flame attracting the moth towards him. She spends most of pastime by picking up boys at a drive-in restaurant, hanging out with her best friend, and listening to music.
Connie, like many other teenagers, is going through her adolescent, rebellion phase, trying to appear wiser than she really is. Moreover, she reflects that her heart and even whole body feel like they are no longer hers. When her family goes to barbeque she decides not to go with them. Oats displays the effects of youthfulness in a teenage girl named Connie. His face has been painted, his hair covered by a wig, his boots stuffed. The story mostly revolves around Connie, with little attention towards her mother and sister, and almost no attention towards her father.
The source of that struggle is her unstable relationship with her family, which ultimately results in her identity conflict. Everything about Connie indicates that she has been socialized into how the media thinks a young girl should be—from her suggestive clothing to her desperate attempt to be sexually desirable to the male population. Oates is well known for her prolific output—she has written over forty novels, as well as a number of plays and novellas, and many volumes of short stories, poetry, and nonfiction. However, Connie has She notices that he is wearing make-up, and his hair looks like a wig. She is smart enough to know the dangers of going off with a stranger. Connie's family goes for a barbecue at an aunt's house, leaving Connie home alone.
He repeats his threats against her family and instructs her to come to him. But instead in return, she is threatened that her family would be hurt if she called for help. The sexualization of young girls causes adult men to be attracted to them, creating an even further over-sexualized society. He wasn't tall, only an inch or so taller than she would be if she came down to him. One night Connie sees a black-haired boy in a gold convertible in the parking lot. While it is understood that Arnold will most likely harm Connie, he also is whisking her away or saving her from a morally loose society—that very same society that made her the over-sexualized girl we see in the beginning of the story.
Arnold Friend is really the same way. His nature becomes more threatening and his power over Connie takes hold. Finally, Oates also shows the deteriorating relationship between parents and hildren. Unfortunately we learn the most from stories with tragic endings. It also has some mysterious numbers painted on its side ' 33, 19, 17'. He threatens her to kill her family by burning the house.
Her dawning realization makes her increasingly lightheaded, until she backs into the house, completely disoriented, and then collapses by the phone. These papers were written primarily by students and provide critical analysis of the short story Where Are You Going, Where Have You Been? This character baffled her to such an extent that she used Schmid as the basis for her short story. Later her visitor will ask if she is reluctant to go for a drive because her hair will be blown around in the topless car. Parents have to watch their daughters grow up and become young women. Music connects Connie not only to Arnold Friend, but to a wider popular culture; her ideas about love and sex are derived largely from the songs she listens to.